Architecture, Art, Astrology, Automata, Economy, Light, Society, Sound

Nicolas Schöffer and Luminodynamism

“Echoing El Lissistsky’s ‘prouns’ defined as the midway point between architecture and painting, Schöffer would extend the scale of his sculptures to monumental proportions. His 52m high Cybernetic Tower in Liège, created in 1961, senses its immediate environment using microphones, hygrometers and anemometers (wind measurement). The information collected from these sensors is used orchestrate the movement of mirrors and lights on the towers, and also to generate environmental sounds to be played back to the city. Viewed at night time the mirrors act more as colour switches giving an overall impression of network interactions and connections inferred via pulsing colours. With nodes of interconnected light existing in a lattice perhaps Schöffer was attempting to mimic the invisible communication infrastructures that were developed during the 50′s and 60′s and who’s influence had grown to create the science of Cybernetics.”

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