My interest in this subject extends from daily experiences with geometry and typography over a 35-year career of visual design. The terminology is personal and was created as needed. In late 1986, while sketching on a quadrille pad, I generated this little drawing and asked myself a seemingly simple question: How many different 5×5 images will nature allow? After filling pages of quadrille pad I realized that imagination alone wasn’t up to the task (not an easy thing for an artist to accept). I next made a 20-foot-wide wallchart and kept searching for a method to generate quantities of these symbols. Over several years I worked on the 5×5 problem in my spare time. It soon became my favorite intellectual diversion. I thought of it as some kind of hyper-digital I Ching. I thought of it as my Glass Bead Game.